More info on Ernesto Nazareth at the following link, recommended: According to list of Nazareth's compositions 'Apanhei-te Cavaquinho' was released already 1914 and dedicated to especially Juracy Nazareth de Araújo among others. I like the Yamandu Costa - Armandinho version very much !! Keep swinging Hans 20 June, 2008 Jo said. Thank you jo reminding us this great melody. Other foreign recordings of Apanhei-te Cavaquinho that could be mentioned are: Edmundo Ros and his Rumba Band(1940s) Ethel Smith (1940s) Ivor Moreton and Dave Kaye (piano duo) 1948) Peter Kreuder (1950) Emil Coleman (1950) and many others Not to mention the Dining Sisters singing the lyrics in English at the "Blame it on the Samba" video you posted Best wishes 20 June, 2008 Anonymous said. The first video features a piano player performing the tune as intended by NazarethĮxcellent post, Jo. written by brazilian composer ernesto nazareth in 1914. although nazareth described it as a 'polca', it is commonly considered to un hermoso choro brasilero. provided to by believe sas apanhei te cavaquinho waldir silva nos tempos de ernesto nazareth e zequinha de abreu movieplay digital o grupo apresenta diversidade rtmica e formao pouco usual, pois alm da flauta, do violo sete cordas e do pandeiro, so utilizados vrios instrumentos de become a backer: patreon brazilianpianoinstitute apoie o ipb: catarse. I found a couple of uploaded video performances of 'Apanhei-te Cavaquinho' inserted below. apanhei te cavaquinho is a wonderfully infectious piece which is always fun to play. Garcia: Choro - A Social History of a Brazilian Popular Music (2005), p.
![apanhei-te cavaquinho nazareth apanhei-te cavaquinho nazareth](http://4.bp.blogspot.com/-n0I5y7tTYuI/UDeuSV9cl0I/AAAAAAAACRA/dGpH36g2jaY/s1600/Apanhei-te+cavaquinho+1.jpg)
It was said, however, that the delight of audiences was even greater when accompanists showed greater malícia by maintaining their cool and playing through the complex sections with panache and finesse." (quoted from T.E. "Malícia" refers to the choro soloist who enjoyed throwing off his accompanists with unexpected modulations or virtuosic improvisations. One of Nazareths best-known pieces from 1906, Apanhei-te Cavaquinho features a moto perpetuo sixteenth-note melody in the highest register of the piano. It refers to the spirit of choro, malícia - "(.) an attitude of spirited competition in which one musician strives to outwit the other. The title of the composition means in English 'I Got You, Cavaquinho' and reflects a sudden way of performing when playing in a choro ensemble in the early days. Outside Brasil it may be mentioned that the famous Argentine guitarist and performer, Oscar Alemán, also had a big hit with his instrumental version of 'Apanhei-te Cavaquinho' in 1943. In 1943 Ademilde Fonseca recorded a vocal version of 'Apanhei-te Cavaquinho' with words by Darci de Oliveira, a recording that immediately was a success with the public and set the career of Ademilde Fonseca on a successful level. Later, in 1930, the composer himself recorded his solo version at the piano, a great historical document to demonstrate Nazareth's conception of the way his composition was supposed to be performed - the recording may be found at the two-disc anthology by Frémeaux, 'Choro 1906-1947' (FA 166).
![apanhei-te cavaquinho nazareth apanhei-te cavaquinho nazareth](http://tempusclasico.com/images/Catalogo/soiree.jpg)
'Apanhei-te Cavaquinho' was recorded for the first time by the choro group O Passos no Choro, in 1916.
![apanhei-te cavaquinho nazareth apanhei-te cavaquinho nazareth](http://i.ytimg.com/vi/MpttIi3qvKI/maxresdefault.jpg)
The composition originally was dedicated to the then famous cavaquinho player, Mário Cavaquinho (Mário Álvares da Conceição), a friend of Nazareth and a virtuosic musician, who is said to have invented the five string cavaquinho together with Ary Vasconcelos according to some sources. Actually, the piece 'Apanhei-te Cavaquinho' is a polca in terms of musical form, but the tune has always been considered a typical choro, as it was adapted early on by choro musicians as part of their standard repertoire. The tune 'Apanhei-te Cavaquinho' was composed 1915 by Ernesto Nazareth and is considered the second most recorded choro by Nazareth next to his 'Odeon'. Podrs acceder a todo el material disponible (partituras, pistas de acompaamientos y. His compositions have been studied by musicologists worldwide, inspiring many composers such as Henrique Oswald, Francisco Braga, Luciano Gallet, Villa Lobos, Lorenzo Fernandez, Francisco Mignone, Radamés Gnatalli, and Darius. Apanhei-te, Cavaquinho El choro ms famoso de Ernesto Nazareth. Ernesto Nazareth was the one who would establish firmly, through his compositions, the precursor of choro, the so-called Brazilian tango (he rejected the term maxixe). Through those composers of the Belle Époque, mainly Ernesto Nazareth, the repertoire would be broadened, and other changes would contribute to the formation of the genre of choro. Ernesto Nazareth is one of the most important composers and musicians of Brazil's "Belle Époque." When he was born, the choro was already established as a genuine Brazilian musical creation, but wasn't a genre yet, rather a playing style for the European dance pieces.